#Where does the film coraline take place full

There are chase scenes, hiding scenes and puzzles to be solved as Coraline, never one to shirk a challenge, tries to save herself, her parents and the Other MotherвЂ™s previous victims. While thereвЂ™s relatively little 3-D-sploitation, in general the technique is used strictly to augment the story, and suffers few of the focus or blurring problems that have lessened the techniqueвЂ™s impact in other films.ДЄnd then thereвЂ™s horror in the last act as the Other MotherвЂ™s disguise falls away and her true intentions are made clear.

#Where does the film coraline take place full

Touches of CG have been used here and there for full вЂhow did they do that?вЂ™ effect, but most of the real magic is in the stop-motion detail: the arch of an eyebrow perfectly expressing a characterвЂ™s attitude, the shine on the icing of a cake making it look edible the glint on a silver claw adding to its menace.ДЄn extra breath of wonder is added if you manage to see this in 3-D: insects fly around your head and flowers bulge from the screen. Hummingbirds call CoralineвЂ™s name and glowing snapdragons form a portrait of her thatвЂ™s only visible from far above - say, aboard the Praying Mantis tractor that her father rides. The real world is as bleached of colour as possible, but the Other world is (initially at least) bathed in vibrancy, and there are scenes in the delicately realised gardens that will take your breath away. ItвЂ™s in the Other world that Henry SelickвЂ™s gorgeous stop-motion imagination is given full reign. Coraline, understandably hesitant to agree to such terms, balks, and another side to her Other Mother emerges. ItвЂ™s at this point that most of the adults in the cinema start wincing. ThereвЂ™s just one catch: they want to steal her eyes and replace them with buttons.

So who could blame her when she follows a jumping mouse through a hole in the wall, into another world with an вЂOther MotherвЂ™ (Hatcher) who is devoted to satisfying her every whim, an вЂOther FatherвЂ™ who spends all his days dreaming up tunes to sing her praises, and neighbours who put on shows for her amusement? And her parents, voiced by Teri Hatcher and John Hodgman, do leave her to her own devices as they try to rebuild their business in a new town. Bobinsky (Ian McShane), the Russian eccentric upstairs and Misses Spink and Forcible (Jennifer Saunders and Dawn French, respectively), two dotty English retired actresses downstairs - do all get her name wrong, while baffling her with their eccentricities. She gets irritated when her name is mispronounced, misses the friends she left when she moved home, and has a habit of swinging on a door and making conversation when her parents have no time to listen. SheвЂ™s also self-centred, sometimes grumpy and frequently awkward, but this is a well-developed character rather than a Disney princess. Our heroine is certainly the sort of role model that any kid could wish for: Coraline - voiced with a Midwestern twang and a whole lot of attitude by Dakota Fanning - is smart, funny and ultimately very courageous. Instead, the sight of a young protagonist defeating the forces ranged against him/her by an adult world is one that empowers, leaving kids not cowed but exhilarated. The Wizard Of OzвЂ™s flying monkeys, the set-up of A Little Princess or the Child Catcher in Chitty Chitty Bang Bang are all terrifying at the right age, but itвЂ™s rare we remain traumatised by the encounter.

As creepy as it is charming, as bizarre as it is beautiful, this is a true horror movie, but also a warm, brightly coloured childrenвЂ™s fairy tale about the magic behind the everyday.ДЄnd donвЂ™t forget, children are more resilient than we think. Strange, perhaps, but then, this is a strange film. Children leaving the cinemas, though, have just been bouncing and laughing.

Adults leaving screenings of Coraline have been overheard fretting about how scary it is - and theyвЂ™re right: itвЂ™s terrifying.